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The Thousand Autumns of Jacob de Zoet: A Novel-David Mitchell

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By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker PrizeIn 2007, Time magazine named him one of the most influential novelists in the world. He has twice been short-listed for the Man Booker Prize. The New York Times Book Review called him simply “a genius.” Now David Mitchell lends fresh credence to The Guardian’s claim that “each of his books seems entirely different from that which preceded it.” The Thousand Autumns of Jacob de Zoet is a stunning departure for this brilliant, restless, and wildly ambitious author, a giant leap forward by even his own high standards. A bold and epic novel of a rarely visited point in history, it is a work as exquisitely rendered as it is irresistibly readable.The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.Praise for The Thousand Autumns of Jacob de Zoet   “A page-turner . . . [David] Mitchell’s masterpiece; and also, I am convinced, a masterpiece of our time.”—Richard Eder, The Boston Globe   “An achingly romantic story of forbidden love . . . Mitchell’s incredible prose is on stunning display. . . . A novel of ideas, of longing, of good and evil and those who fall somewhere in between [that] confirms Mitchell as one of the more fascinating and fearless writers alive.”—Dave Eggers, The New York Times Book Review   “The novelist who’s been showing us the future of fiction has published a classic, old-fashioned tale . . . an epic of sacrificial love, clashing civilizations and enemies who won’t rest until whole family lines have been snuffed out.”—Ron Charles, The Washington Post   “By any standards, The Thousand Autumns of Jacob de Zoet is a formidable marvel.”—James Wood, The New Yorker   “A beautiful novel, full of life and authenticity, atmosphere and characters that breathe.”—Maureen Corrigan, NPRLook for special features inside. Join the Random House Reader’s Circle for author chats and more.

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Fascinating story. Brilliantly written. The "some sexual content" is written in obscure, sometime poetic, sometimes bored, no big deal language that is, in fact, not at all explicit. But you can figure it out, so I cannot say there is no sexual content. Plus one thread of the story follows a corrupt and sinister sexual cult run out of a shrine whose patron is the most powerful and dangerous Japanese official in the area. However, I would have given this book to my clever voraciously reading son, had it been around when he was 12 years old.I could hardly put this novel down. I wanted the pleasure of reading it never to stop. I kept backtracking, rereading passages and whole chapters just for the delight of the language. I laughed out loud, and I cried. It is a very complicated story, populated by assorted con artists, ugly Dutch trading company exploiters of whatever they can find to exploit, whose racial attitudes are those of the 1700s. And the Japanese are no better, except that is it their country they are trying to protect from being overtaken by outsiders. Japanese society was extremely rigid, with horrible tortures and punishments for all kinds of apparently slight infractions. But then the Dutch at that time were brutal in their quest to grab chunks of "empire" away from England and Spain. Japan was one of the few places where the people being exploited for trade managed to contain the foreign invaders, and made the trading company follow their rules. (While in the same time period, England and Spain were imposing their systems of law, religion, and culture on their subjugated colonies, with not much care for what the locals thought or wanted.)So in this time and place a young Dutch clerk, nephew of a protestant minister, has signed on with the Dutch Trading Company V.O.C. to make his fortune with a five year contract and return to Holland with enough money to win the heart of his future father-in-law, and be married to the girl he adores. We meet all the characters he has to live, work, and get along with, Dutch and Japanese, some earnest and fair, some merely greedy bastards, and some pure evil. He has to learn the language, keep his balance on the Company's tightrope while juggling the spoken and unspoken rules of both the the Company's and the Japanese officials' games. This group of outsiders is contained on a small trading island of warehouses, offices, and rooming houses for the officials of the Company, with only the Company men and their slaves and servants (and local bar girls) for social interaction. They are restricted from entering Japan proper. Their interactions with the Japanese are limited to formal business, translations, accounts, stock inventories, negotiating contracts for sales of various commodities, and trials and punishments for those caught breaking the many strict and arbitrary Japanese laws. This is no kind of a "junket," nor is it a particularly posh posting. Exotic yes, but most of young Jacob's co-workers lack the imagination to appreciate their environment as anything other than something to be endured, with the dream of wealth at the end of their term. Jacob does appreciate his surroundings, applies himself to learning Japanese, treats people fairly and with respect, but he gets in trouble because he is honest, and refuses to wink at his superior's fraudulent schemes to enrich themselves.The ending is not at all what I expected. I do not want to give anything away. It is both happier and sadder than I thought it might be. But it is a realistic and very satisfying end to a remarkable story. I have some Dutch ancestors, who in the 17th century went west, and ultimately ended up in one of England's colonies in North America. This book helps me imagine what their lives might have been, had they decided to sign on to a Dutch East Asia Company contract instead.
David Mitchell is a genius. Each of his books is distinctly his own, but also different from the others. Many of his books can be radically different from part to part within themselves. This particular novel is more of a self-contained story than other works of Mr. Mitchell's I've read, but even it has 3 very distinct plotlines occurring. The primary narrative focuses on the titular Jacob De Zoet, who has been sent to a Dutch trade outpost in 1800's Japan to look for evidence of graft being perpetrated by the previous Chief Resident. While there, he quickly makes enemies of those who benefited from the old way of doing things, but makes friends with an eccentric doctor and several Nagasaki locals. Things don't go as he, or anyone, really anticipates as we see loves won and lost, battles fought, corruption exposed, and a shocking secret society brought to light. The characters are well drawn and the story compelling, all adding up to a world you'll want to savor. As with his other novels I enjoyed this one immensely and look forward to reading again in the future, especially as the interconnected nature of his works is brought increasingly to light.

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